ABSTRACT
This chapter analyzes the cinematographic sources, distinguishing when Pius XII was a willing subject or a reluctant one of the filming as well as when he had an active or passive role in front of the cameras. Pius XII was the pope of the masses because, unlike his predecessors, he established a direct dialogue with believers, thanks to the new technologies of mass communication. His understanding of the importance of cinema, television and the mass media in general enabled him to disseminate his image all over the world at a time when there was a strong desire to create Catholic cinema productions. Pastor Angelicus, a title that derives from Malachia's prophecy, and Guerra alla guerra, both directed by Romolo Marcellini and produced by the Catholic Cinema Center (CCC). He became the first pope in Church history, to be an actor in a film, and as a willing performer, he was able to present himself to the world.
