ABSTRACT

The musical genre of taarab is played for entertainment at weddings and other festive occasions all along the Swahili Coast in East Africa. Taarab contains all the features of a typical 'Indian Ocean' music, combining influences from Egypt, the Arabian Peninsula, India and the West with local musical practices. In Taarab, Music in Zanzibar, Janet Topp Fargion traces the development of the genre in Zanzibar, from the late nineteenth century to the end of the twentieth. Of special interest is the role of women. Although men play the main role in the composition and performance of the genre, Topp Fargion argues that the modernization of the genre owes a debt to the participation of women - as audiences and primary consumers, but also as poets and innovators of musical concepts. The book weaves together the historical, social, economic, religious and political dynamics involved in the development of the genre, and investigates how these are played out in the performance of taarab music on Zanzibar.

part I|34 pages

Introductions

chapter 1|13 pages

Approaches and People

chapter 2|18 pages

Meanings and Boundaries

part II|106 pages

Entangled Histories and Parallel Strands

chapter 3|56 pages

Orchestral Taarab ‘Old is Gold’

chapter 4|20 pages

Kidumbak

chapter 5|28 pages

Women's Taarab

part III|32 pages

Flying Spirits: What Women Really Really Want

chapter 6|30 pages

Women as Drivers of Change

part IV|33 pages

Conclusions