ABSTRACT

Partly in a desire to defend divine freedom and partly because it is seen as the only way of preserving a distinctive voice for theology, much contemporary theology has artificially restricted revelation and religious experience, effectively cutting off those who find God beyond the walls of the Church. Against this tendency, David Brown argues for divine generosity and a broader vision of reality that sees God deploying symbols (literary, visual and sacramental) as a means of mediating between the divine world and our own material existence. A sustained argument for divine interaction and more specifically the ways in which God speaks in the wider imaginative world, this volume calls for a careful listening exercise since symbols are richer and more open in their possibilities than their users often suppose. Not only is this true of the imagery of Scripture, even inanimate objects like buildings or hostile but creative artists can have important things to say to the believing Christian. An ideal introduction that also moves the conversation forward, this volume addresses foundations, the multivalent power of symbols, artists as theologians and meaning in religious architecture.

part |48 pages

Foundations

chapter |4 pages

Introduction

chapter 1|16 pages

In the Beginning Was the Image

chapter 2|14 pages

Why Theology Needs the Arts

chapter 3|12 pages

Learning from Pagans

part |50 pages

The Power of Symbols

chapter |2 pages

Introduction

chapter 4|12 pages

Understanding Symbol

chapter 5|16 pages

Baptism and Water as Cosmological Symbol

chapter 6|18 pages

‘The darkness and the light are both alike to thee’

Finding God in Limited Light and in Darkness

part |52 pages

Artists as Theologians

chapter |4 pages

Introduction

chapter 7|8 pages

The Annunciation as True Fiction

chapter 8|17 pages

Why the Ascension Matters

chapter 9|21 pages

Artists on the Trinity

part |53 pages

Meaning in Religious Architecture

chapter |3 pages

Introduction

chapter 10|11 pages

Architecture and Theism

chapter 11|11 pages

Interfaith Dialogue through Architecture

chapter 13|14 pages

Worshipping with Art and Architecture