ABSTRACT

This study shows how aesthetics and economics have been combined in a great work of literature. Frost examines the history of Middlemarch’s composition and publication within the context of Victorian demand, then goes on to consider the interpretation, reception and consumption of the book.

chapter |8 pages

Introduction

chapter 3|14 pages

End-Users and Readers

chapter 4|24 pages

Shoppers

chapter 5|18 pages

Contextual Wants

chapter 6|30 pages

A Commodity Reading of Middlemarch

chapter 7|20 pages

Good for the Audience

chapter 8|28 pages

Rival Books and Products