ABSTRACT
CHAPTER 23 PROPOSING AN ADVANCED DOCUMENTARY 361
CHAPTER 24 PREPARING TO DIRECT 370
PART 7B: ADVANCED PRODUCTION 383 CHAPTER 25 OPTICS 387
CHAPTER 26 ADVANCED CAMERAS AND EQUIPMENT 398 CHAPTER 27 ADVANCED LOCATION SOUND 421
CHAPTER 28 ORGANIZATION, CREW, AND PROCEDURES 438
CHAPTER 29 ADVANCED DIRECTING 449
CHAPTER 30 CONDUCTING AND SHOOTING INTERVIEWS 462
PART 7C: ADVANCED POSTPRODUCTION 483 CHAPTER 31 FROM TRANSCRIPT TO FILM SCRIPT 485 CHAPTER 32 CREATING NARRATION 492 CHAPTER 33 USING MUSIC AND WORKING WITH A COMPOSER 504 CHAPTER 34 EDITING: REFINEMENTS AND STRUCTURAL PROBLEMS 513
PART 8: EDUCATION AND STARTING YOUR CAREER 523 CHAPTER 35 EDUCATION 525 CHAPTER 36 FROM SCHOOL TO FILM INDUSTRY 540
CHAPTER 17 POINT OF VIEW AND THE STORYTELLER 259
CHAPTER 18 DRAMATIC DEVELOPMENT, TIME, AND STORY STRUCTURE 283
CHAPTER 19 FORM, CONTROL, AND STYLE 318
CHAPTER 20 REENACTMENT, RECONSTRUCTION, AND DOCUDRAMA 327
Having done some documentary work, you are now ready to go further . Maybe you sense you aren’t yet using the screen to its utmost, or you want to make f lms that are more cinematic. Perhaps you want better subjects or to more effectively liberate the heart and soul of your participants and what they represent.
