ABSTRACT
The central nervous system function of time-form entities are examined. The term
Logogenesis is introduced as a concept to denote genetically programmed development
of mental concepts and time form-entities, as a counterpart to morphogenesis which
concerns development of structure. Special attention is given to the time-form
logo genesis of natural language entities of emotion communication, and their natural
syntax. How time-forms are used in music to generate living, meaningful performances
from written scores is described and proved with computer generated classical music, in
the context of four modes of time experience, H, t2, t3, and t4. The modes apply to
different time scales and use different natural data processing properties. Models of
appropriate peptide dynamics are suggested for some of these amygda-related processes.
