ABSTRACT

A historian’s view of the relationship between American history and the American film industry, this book is a witty and perceptive account of Hollywood and its films in the years from the outbreak of the Second World War in Europe to the end of the war in Korea, It describes how film makers and their industry were shaped by and responded to the strong political and social stimuli of wartime America.

The author examines the recurring question of whether the movies were a reflection of the society in which they were produced, or whether by virtue of their undeniable propaganda power the films shaped that society. Combining evidence from literary, visual and oral sources, he covers a wide range of movies, emphasising in particular Casablanca, Mrs Miniver, The Best Years of Our Lives and Since You Went Away.

In addition to placing the films in a social and political context, the author shows that Hollywood is a perfect example of the bone-headed way in which people behave when they are dealing with large amounts of money and power. Enjoyably nostalgic, this book will appeal to film enthusiasts as well as those interested in war and its effect on society.

chapter 1|10 pages

Alarums and Excursions

(Events leading up to September 1939)

chapter 2|7 pages

Over There

(September 1939 – May 1940)

chapter 3|8 pages

Walking on Eggs

(May 1940 – December 1940)

chapter 4|7 pages

No Way In

(January 1941 – December 1941)

chapter 5|5 pages

A Date Which Will Live In Infamy

(December 1941)

chapter 6|19 pages

All Through The Night

(December 1941 – October 1942)

chapter 7|21 pages

Here Is Your War

(November 1942 – May 1944)

chapter 8|16 pages

Since They Went Away

(June 1944 – August 1945)

chapter 9|15 pages

The Fruits of Victory

(September 1945 – September 1947)

chapter 10|8 pages

The Primrose Path

(October 1947 – December 1948)

chapter 11|10 pages

Most Disastrous Chances

(January 1949 – December 1949)

chapter 12|13 pages

Cry Havoc—Again

(January 1950 – November 1952)