ABSTRACT
This article argues that the 1976 novel (reprinted in 1993) Lover by Bertha Harris, though receiving little critical attention in the past, can be considered an exemplary novel within discussions of both postmodern fiction and lesbian (or queer) theory. The article analyzes in particular the novel's self-consciousness as manifested by characters who cross-dress and who are artists (including the writer of the novel we are reading). The article calls for Harris to be added to the group of writers such as Wittig, Anzaldua, Lorde, and Winterson, who are discussed within the context of a postmodern lesbian narrative. [Article copies available for a fee from The Haworth Document Delivery Service: 1-800-342-9678. E-mail address: getinfo@haworth. com]
