ABSTRACT

While not everyone would agree with Alfred Hitchcock's notorious remark that 'actors are cattle', there is little understanding of the work film actors do. Yet audience enthusiasm for, or dislike of, actors and their style of performance is a crucial part of the film-going experience. Screen Acting discusses the development of film acting, from the stylisation of the silent era, through the naturalism of Lee Strasberg's 'Method', to Mike Leigh's use of improvisation.
The contributors to this innovative volume explore the philosophies which have influenced acting in the movies and analyse the styles and techniques of individual filmmakers and performers, including Bette Davis, James Mason, Susan Sarandon and Morgan Freeman. There are also interviews with working actors: Ian Richardson discusses the relationship between theatre, film and television acting; Claire Rushbrook and Ron Cook discuss theri work with Mike Leigh, and Helen Shaver discusses her work with the critic Susan Knobloch.

chapter 2|21 pages

Acting in Silent Film

Which legacy of the theatre?

chapter 3|15 pages

Crafting Film Performances

Acting in the Hollywood studio era

chapter 4|13 pages

Bette Davis

Malevolence in motion

chapter 5|16 pages

A Star Performs

Mr March, Mr Mason and Mr Maine

chapter 7|18 pages

Susan Sarandon

In praise of older women

chapter 8|20 pages

Helen Shaver

Resistance through artistry

chapter 10|14 pages

Secrets and Lies

Acting for Mike Leigh

chapter 11|13 pages

An Interview With Ian Richardson

Making friends with the camera