ABSTRACT

In today’s image-saturated culture, the visual documentation of suffering around the world is more prevalent than ever. Yet instead of always deepening the knowledge or compassion of viewers, conflict photography can result in fatigue or even inspire apathy. Given this tension between the genre’s ostensible goals and its effects, what is the purpose behind taking and showing images of war and crisis?

Conversations on Conflict Photography invites readers to think through these issues via conversations with award-winning photographers, as well as leading photo editors and key representatives of the major human rights and humanitarian organizations. Framed by critical-historical essays, these dialogues explore the complexities and ethical dilemmas of this line of work. The practitioners relate the struggles of their craft, from brushes with death on the frontlines to the battles for space, resources, and attention in our media-driven culture. Despite these obstacles, they remain true to a purpose, one that is palpable as they celebrate remarkable success stories: from changing the life of a single individual to raising broad awareness about human rights issues.

Opening with an insightful foreword by the renowned Sebastian Junger and richly illustrated with challenging, painful, and sometimes beautiful images, Conversations offers a uniquely rounded examination of the value of conflict photography in today’s world.

part |317 pages

Interviews

section Section 1|183 pages

Behind the Lens

chapter 1|13 pages

The World of Conflict Photographers

chapter 2|15 pages

Andrea Bruce

chapter 3|9 pages

Marcus Bleasdale

chapter 4|12 pages

Susan Meiselas

chapter 5|13 pages

Shahidul Alam

chapter 6|15 pages

Ron Haviv

chapter 7|14 pages

Spencer Platt

chapter 8|13 pages

Eman Helal

chapter 9|11 pages

Benjamin Lowy

chapter 10|15 pages

Nina Berman

chapter 11|13 pages

Alexander Joe

chapter 12|14 pages

Laurent Van der Stockt

chapter 13|15 pages

Newsha Tavakolian

section Section 2|71 pages

In the Newsroom and Beyond

chapter 15|14 pages

Santiago Lyon

chapter 16|13 pages

Maryanne Golon

chapter 17|13 pages

Aidan Sullivan

chapter 18|13 pages

Marion Mertens

section Section 3|59 pages

Advocacy and Aid

chapter 20|14 pages

Michael Goldfarb

chapter 21|17 pages

Peter Bouckaert

chapter 22|15 pages

Ellen Tolmie

chapter |7 pages

Conclusion

Conflict Photography: Looking Ahead