ABSTRACT

The before-and-after trope in photography has long paired images to represent change: whether affirmatively, as in the results of makeovers, social reforms or medical interventions, or negatively, in the destruction of the environment by the impacts of war or natural disasters. This interdisciplinary, multi-authored volume examines the central but almost unspoken position of before-and-after photography found in a wide range of contexts from the 19th century through to the present. Packed with case studies that explore the conceptual implications of these images, the book’s rich language of evidence, documentation and persuasion present both historical material and the work of practicing photographers who have deployed – and challenged – the conventions of the before-and-after pairing. Touching on issues including sexuality, race, environmental change and criminality, Before-and-After Photography examines major topics of current debate in the critique of photography in an accessible way to allow students and scholars to explore the rich conceptual issues around photography’s relationship with time andimagination.

part One|44 pages

Medical Restorations and Enhancements

chapter 2|27 pages

Before and After

The Aesthetic as Evidence in Nineteenth-Century Medical Photography

chapter 3|14 pages

Imaging the Criminal Body

“Faces of Meth” and Galton’s Composite Photographs

part Two|42 pages

Landscape and the Built Environment

chapter 4|19 pages

“Noise Abatement Zone”

John Divola’s Photographic Fulcrum

chapter 5|20 pages

The Elusive Event

Frank Gohlke in Conversation with Rebecca Senf

part Three|37 pages

Natural and Unnatural Disasters

chapter 6|22 pages

Beyond Images of Melting ICE

Hidden Histories of People, Place, and Time in Repeat Photography of Glaciers

chapter 7|13 pages

Natural Cycles

Naoya Hatakeyama’s Photographs of the 2011 Tohoku Tsunami

part Four|37 pages

Social "Improvements"

chapter 8|14 pages

Staging Emancipation

Race and Reconstruction in American Photographic Humor

chapter 9|21 pages

Facing the Binary

Native American Students in the Camera’s Lens

part Five|23 pages

From Two to Three

chapter 10|15 pages

Beyond “This-Caused-That”

The Temporal Complexities of Before-and-After Photographs

chapter |5 pages

Afterword