ABSTRACT

Kendrick Lamar has established himself at the forefront of contemporary hip-hop culture. Artistically adventurous and socially conscious, he has been unapologetic in using his art form, rap music, to address issues affecting black lives while also exploring subjects fundamental to the human experience, such as religious belief. This book is the first to provide an interdisciplinary academic analysis of the impact of Lamar’s corpus. In doing so, it highlights how Lamar’s music reflects current tensions that are keenly felt when dealing with the subjects of race, religion and politics.

Starting with Section 80 and ending with DAMN., this book deals with each of Lamar’s four major projects in turn. A panel of academics, journalists and hip-hop practitioners show how religion, in particular black spiritualties, take a front-and-center role in his work. They also observe that his astute and biting thoughts on race and culture may come from an African American perspective, but many find something familiar in Lamar’s lyrical testimony across great chasms of social and geographical difference.

This sophisticated exploration of one of popular culture’s emerging icons reveals a complex and multi faceted engagement with religion, faith, race, art and culture. As such, it will be vital reading for anyone working in religious, African American and hip-hop studies, as well as scholars of music, media and popular culture.

chapter |16 pages

Introduction

K.Dotting the American cultural landscape with black meaning

part I|50 pages

Section.80 (2011)

chapter 1|6 pages

Kendrick Lamar’s Section.80

Reagan-era blues

chapter 2|12 pages

Can I be both?

Blackness and the negotiation of binary categories in Kendrick Lamar’s Section.80

chapter 3|14 pages

Hol’ up

Post-civil rights black theology within Kendrick Lamar’s Section.80 album

chapter 4|16 pages

Singing experience in Section.80

Kendrick Lamar’s poetics of problems

part II|89 pages

Good kid, m.A.A.d. city (2012)

chapter 5|30 pages

The good, the m.A.A.d, and the holy

Kendrick Lamar’s meditations on sin and moral agency in the post-gangsta era

chapter 6|17 pages

‘Real is responsibility’

Revelations in white through the filter of black realness on good kid, m.A.A.d. city

chapter 7|21 pages

‘Black meaning’ out of urban mud

Good kid, m.A.A.d city as Compton griot-riff at the crossroads of climate-apocalypse?

chapter 8|19 pages

Rap as Ragnarök

Kendrick Lamar, Eminem, and the value of competition

part III|71 pages

To Pimp a Butterfly (2015)

chapter 10|16 pages

Loving [you] is complicated

Black self-love and affirmation in the rap music of Kendrick Lamar

chapter 11|21 pages

From ‘blackness’ to afrofuture to ‘impasse’

The figura of the Jimi Hendrix/Richie Havens identity revolution as faintly evidenced by the work of Kendrick Lamar and more than a head nod to Lupe Fiasco

chapter 12|16 pages

Beyond flight and containment

Kendrick Lamar, black study, and an ethics of the wound

part IV|139 pages

DAMN. (2017)

chapter 13|14 pages

“Real nigga conditions”

Kendrick Lamar, grotesque realism, and the open body

chapter 14|17 pages

DAMNed to the earth

Kendrick Lamar, de/colonial violence, and earthbound salvation

chapter 16|26 pages

‘I’m an Israelite’

Kendrick Lamar’s spiritual search, Hebrew Israelite religion, and the politics of a celebrity encounter

chapter 17|21 pages

Damnation, identity, and truth

Vocabularies of suffering in Kendrick Lamar’s DAMN.

chapter |11 pages

Conclusion

KENosis: the meaning of Kendrick Lamar