ABSTRACT
Technology has shifted the definition of motion design and what it means to practice in the field; these changes not only enable designers to explore new methods and outcomes for creating artifacts, but they also contribute to the capabilities of working in different contexts. By moving away from traditional digital devices, the field of motion design has the opportunity to explore more sophisticated technological systems, fostering state-of-the-art configurations realized as installations in place. Often allowing for new interpretations of scale, these types of motion graphics must consider concepts of place into the processes and outcomes of the work.
