ABSTRACT
You should have a facial ID catalog to use when drawing composites. If you don't, I tell you here how to get one from a couple of different sources and how to use it for working digitally. This book is for working forensic artists, but if you've not read much about the field, I recommend a couple of books that are very good if you'd like to learn more about forensic art. If you want to meet more artists, I go into a bit more detail about the IAI and how to get involved in that organization. I provide my webpage and social media pages.
