ABSTRACT
DCPs for theatrical distribution are created in three steps: Compression, encryption and packaging. Methods of delivery for TV, streaming etc. are moving to a file-based structure called MXF. It holds files combined with metadata and is very similar to a DCP. E-Cinema, a lower grade of projection, is used for advertisements and pre-show advertising prior to the feature presentation. Prior to delivery it’s important to QC masters. Tips on choosing a mastering facility, DLPs and mistakes are explained.
After the conform, a project is color-corrected by making color and density decisions one scene at a time, creating a visual flow for the entire project. The credits and titles are then created using guild and contract guidelines. Text color and size are to be considered and tested. Film negative can be cut using A/B or single-strand opticals, fades and dissolves. Adding sound to film requires an OSTN. For release prints, make an IP and dupe negative. To make a negative from a digital project, scan it and film out to a negative stock. Subtitles, captions and video descriptions for accessibility may be a requirement. Preparation, specifications for transcoding, formatting captions and delivery are covered in this chapter.
