ABSTRACT
Entwined with the politics of gender, nation and spectatorship, this chapter maps the multiple viewings of the dance of Tagore that opened up a new discourse of performance subverting and resisting the hegemonic nationalist paradigm.
Entwined with the politics of gender, nation and spectatorship, this chapter maps the multiple viewings of the dance of Tagore that opened up a new discourse of performance subverting and resisting the hegemonic nationalist paradigm.