ABSTRACT

The Routledge Companion to Applied Performance provides an in-depth, far-reaching and provocative consideration of how scholars and artists negotiate the theoretical, historical and practical politics of applied performance, both in the academy and beyond.

These volumes offer insights from within and beyond the sphere of English-speaking scholarship, curated by regional experts in applied performance. The reader will gain an understanding of some of the dominant preoccupations of performance in specified regions, enhanced by contextual framing. From the dis(h)arming of the human body through dance in Colombia to clowning with dementia in Australia, via challenges to violent nationalism in the Balkans, transgender performance in Pakistan and resistance rap in Kashmir, the essays, interviews and scripts are eloquent testimony to the courage and hope of people who believe in the power of art to renew the human spirit.

Students, academics, practitioners, policy-makers, cultural anthropologists and activists will benefit from the opportunities to forge new networks and develop in-depth comparative research offered by this bold, global project.

chapter |6 pages

Introduction to volume one

Considering the ethics of representation in applied theatre

part I|70 pages

Australia and New Zealand

chapter |10 pages

Introduction to part I

Considering the ethics of representation in applied theatre

chapter 2|11 pages

Repairing the evil

Staging Puppet Antigone (2017) at Auckland Prison 1

chapter 3|13 pages

Taurima Vibes

Economies of manaakitanga and care in Aotearoa New Zealand

chapter 4|9 pages

Small acts at the margins

Making theatre work at cross-cultural intersections

chapter 5|12 pages

The art of listening in prison

Creating audio drama with incarcerated women

part II|62 pages

The Balkans

chapter |3 pages

Introduction to part II and III

Memory, identity and the (ab)use of representation

chapter 6|11 pages

Performing the otherness

Representation of the invisible communities in post-conflict and post-communist societies: Croatian example

chapter 7|8 pages

The bridge to hope

Applied theatre in post-war Bosnia and Herzegovina

chapter 9|8 pages

Interview with Vladimir Krušić

Theatre and drama in education

chapter 11|9 pages

Giving voice to the voiceless

Raising awareness and spurring debate on the Homeland War (1991–1995) in Croatian theatre

part III|76 pages

North America

chapter 13|9 pages

We are here

Glyphing a re-creation story through waterways, bloodlines and constellations

chapter 14|8 pages

Applied performance practices of therapeutic clowns

A curated conversation with Helen Donnelly

chapter 15|7 pages

Playback Theatre conductor as ritual guide

The artful and sensitive job of extracting personal stories

chapter 17|6 pages

Tensions of engagement

Oscillating between distance and implication

chapter 18|8 pages

Questioning social justice

A dialogue on performance, activism, and being in-between

chapter 19|7 pages

Timely homecomings

chapter 20|9 pages

The arrivals legacy process

Reviving Ancestral stories of recovery and return

chapter 21|5 pages

Applying Hamilton

part IV|72 pages

Latin America

chapter |9 pages

Introduction to part IV

Applied performance in Latin America

chapter 24|9 pages

We play as we mean to resist

Theatre games as political participation

chapter 25|7 pages

Communal living culture

From the many to the few, from the few to the many

chapter 26|10 pages

Latent conflict or latency in conflict

The liminal space between art actions and the Chilean civic-military dictatorship

chapter 27|7 pages

The community and its gaze

Argentine community theater

part V|70 pages

Southern Africa

chapter |5 pages

Introduction to part V

Applied performance in Southern Africa

chapter 29|11 pages

Romio ndi Julieti (Romeo and Juliet)

Chichewa language production of a serious drama

chapter 33|16 pages

Applied arts in business contexts

Selling out to the oppressor or doing transformational work?

part VI|86 pages

Western Europe

chapter |5 pages

Introduction to part VI

Care for the Open: intercultural challenges and transcultural potential of applied performances in Western Europe

chapter 35|12 pages

Artistic creation and participation in Portugal and Brazil

The urgencies of today *

chapter 36|10 pages

Core of Nordic applied theatre

Challenges in a subarctic area

chapter 39|15 pages

Exploring dramaturgy in participatory refugee theatre as a dialogical art practice

Dialogical tensions in a temporary relational playground