ABSTRACT
T h en th is chorus cu lm inates in a trip le invocation of her nam e, each tim e ris in g higher: “ M adelon! M adelon! M adelon!”
T h e tu n e of this lig h t m arch was em inently singab le-w ith an upbeat, reg u la r 2 /4 rhy thm . Yet neither the lyrics n o r the m usic was
She started out all white, but by the end of the party, Pour the drinks! She is bright red. So let’s drink! So vermilion and so rosy That we have baptized her Pour the drinks! “Rosalie” in unison. So let’s drink.”
