ABSTRACT

"Alexis Piron (1689-1773) was one of the most renowned humorists of eighteenth-century France, his rapier wit feared even by Voltaire. As a playwright, he was one of the most versatile of the period, writing for both the official French and Italian theatres and the unofficial troupes of the Parisian Fairs. Although, like those of most of his contemporaries, his plays have disappeared from the repertoire, La Metromanie, the comedy in which he brings to the stage his mockery of Voltaire, has always been known and enjoyed on the page. More recent interest in popular culture is leading to increased appreciation of his anarchic creations for the Fairs too, and he also wrote, in Gustave Wasa, one of the most popular tragedies of his time. Derek Connon examines the themes and dramatic techniques of the plays of this fascinating and entertaining author."

chapter |4 pages

Introduction

chapter 1|29 pages

A Comic Masterpiece

La Métromanie

chapter 2|14 pages

A First Grande Comédie

L'École des pères

chapter 3|18 pages

A Tragic Success

Gustave Wasa

chapter 4|27 pages

The Other Tragedies

Callisthène and Fernand Cortès

chapter 5|17 pages

A Double Bill

L'Amant mystérieux and Les Courses de Tempé

chapter 6|9 pages

A Theatrical Debut

Arlequin-Deucalion

chapter 7|10 pages

A Comedy for the Italians

Les Enfants de la Joie

chapter 8|24 pages

Four Parodies

Colombine-Nitétis, Philomèle, Les Huit Mariannes, and Atis

chapter 9|19 pages

The Opéras-Comiques

L'Antre de Trophonius, Tirésias, Le Mariage de Momus, L'Endriague, Le Claperman, Le Caprice, L'Âne d'or, Les Chimères, Le Fâcheux Veuvage, L'Enrôlement d'Arlequin, Crédit est mort, La Rose, and La Robe de dissension

chapter |3 pages

Conclusion