ABSTRACT

"Between 1945 and 1975, in both France and Greece, literature provided the aesthetic criteria, cultural prestige and institutional basis for what aspired to be a higher form of popular song and the authentic representative of a national popular music. Published poems were set to popular music, while critical discourse celebrated some songwriters not only for being 'as good as poets' but for being 'singing poets' in their own right. This challenging and stimulating study is the first to chart the parallel cultural processes in the two countries from a comparative perspective. Bringing together cultural studies with literary criticism, it offers new angles on the work of Georges Brassens, Leo Ferre, Jacques Brel, Mikis Theodorakis, Manos Hadjidakis and Dionysis Savvopoulos."

chapter |9 pages

Introduction

chapter 1|50 pages

Poetry and the Songs

The Genre of Auteurs-Compositeurs-Interprètes and its Impact on French Popular Music in the 1950s and 1960s

chapter 2|39 pages

Greece of the Two Composers

Popular Music as a National Institution in Greece, 1948–1963

chapter 3|56 pages

The 1960s, the Singer-Songwriter, and his Way to A-void

Dionysis Savvopoulos and the New Challenges of Popular Music, 1963–1975

chapter |3 pages

Epilogue