ABSTRACT
This chapter explores some of aspects of the relationship between audio technology, the creative process and the aesthetic response to popular music through an analysis of 'Video Killed the Radio Star' by The Buggles. 'Video Killed the Radio Star' was made without any drum machines or sequencers, even though it sounds like that. In spite of the sense of common intent presented by the separate elements of 'Video Killed the Radio Star', its real fascination derives from a fundamental paradox: nostalgia for live music presented on a disco record. The lyrics are conceptually both adventurous and unusual, yet couched in the simple, conversational language associated with the genre of pop music. A variety of production and arrangement techniques are used to reinforce the ideas evoked by the lyrics. Nostalgia is inherent in the lyrics of the verse: regret for the passing of years, a fond memory of adolescent infatuation.
