Introduction

This introduction presents an overview of the key concepts discussed in the subsequent chapters of this book. The book argues for the development of a musicology particular to rock, which may share aspects of established musicology, but which acknowledges that rock differs in its purposes, publics and aims. It explores the crucial role nonetheless played by authenticity in the reception of rock is considered at greater length. The book focuses on a critical rehabilitation of 'progressive rock' through consideration of the sources of the styles which constitute it, and related issues such as the practices of improvisation. It demonstrates that the concept of style is crucial to an understanding of these rules and practices, since it is in this context that their consistencies are most clearly exhibited.