ABSTRACT
A voice accosted me—a very quiet and very musical key of voice—in a language of which I could not understand a word, but it served to dispel my fear. I uncovered my face and looked up. The stranger (I could scarcely bring myself to call him man) surveyed me with an eye that seemed to read to the very depths of my heart. He then placed his left hand on my forehead, and with the staff in his right gently touched my shoulder. The effect of this double contact was magical. In place of my former terror there passed into me a sense of contentment, of joy, of confidence in myself and in the being before me. I rose and spoke in my own language. He listened to me with apparent attention, but with a slight surprise in his looks; and shook his head, as if to signify that I was not understood. He then took me by the hand and led me in silence to the building. The entrance was open—indeed there was no door to it. We entered an immense hall, lighted by the same kind of lustre as in the scene without, but diffusing a fragrant odour. The floor was in large tesselated blocks of precious metals, and partly covered with a sort of matlike carpeting. A strain of low music, above and around, undulated as if from invisible instruments, seeming to belong naturally to the place, just as the sound of murmering waters belongs to a rocky landscape, or the warble of birds to vernal groves.
