ABSTRACT

Books orient, intrigue, provoke and direct the reader while editing, interpreting, encapsulating, constructing and revealing architectural representation. Binding Space: The Book as Spatial Practice explores the role of the book form within the realm of architectural representation. It proposes the book itself as another three-dimensional, complementary architectural representation with a generational and propositional role within the design process.

Artists’ books in particular – that is, a book made as an original work of art, with an artist, designer or architect as author – have certain qualities and characteristics, quite different from the conventional presentation and documentation of architecture. Paginal sequentiality, the structure and objecthood of the book, and the act of reading create possibilities for the book as a site for architectural imagining and discourse. In this way, the form of the book affects how the architectural work is conceived, constructed and read.

In five main sections, Binding Space examines the relationships between the drawing, the building and the book. It proposes thinking through the book as a form of spatial practice, one in which the book is cast as object, outcome, process and tool. Through the book, we read spatial practice anew.

chapter |7 pages

Introduction: The Book as Site

part 1|15 pages

Field

chapter |16 pages

Reading Space: Bookness and Architecture

part 2|26 pages

Page

chapter |8 pages

Embedding Lines: Drawing with Paper

chapter |8 pages

Inkless Lines: Drawing Within the Book

part 3|32 pages

Volume

chapter |13 pages

Manual Depth: Making Capacity

chapter |10 pages

Between Books and Models

part 4|34 pages

Series

part 5|32 pages

Passage