ABSTRACT

According to Carl J. Couch, the history of human society is one of successive, sometimes overlapping, information technologies used to process the various symbolic representations that inform social contexts. Unlike earlier “media” theorists who ignored social context in order to concentrate on the information technologies themselves, Couch implements a consistent theory of interpersonal and intergroup relations to describe the essential interface between information technologies and the social contexts in which they are used.

Couch emphasizes the formative capacities of information technologies across historical epochs and cultures, and places them within the major institutional relations of various societies. He views social orders as reflexively shaped by the information technologies that participants use, and as susceptible to mass brutality and oppression due to oligarchic control though he hopes technology will remain humane.

The original edition of this manuscript was nearly complete at the time of Couch’s death and was brought to completion by two of his closest associates. Now after two decades, during which its impact is indisputable, it has been updated for a new generation of students and scholars. Additions include discussions on books in the digital age, social media, mobile telephones, recordings, participatory culture, and more.

chapter 1|20 pages

Introduction

chapter 2|16 pages

Orality

chapter 3|14 pages

Decorations and Depictions

chapter 4|18 pages

Extending Temporal Structures

chapter 5|20 pages

Numeric and Spatial Concepts

chapter 6|18 pages

Bureaucratic Structures

chapter 7|22 pages

Written Languages

chapter 8|24 pages

Printing Books

chapter 9|24 pages

Newspapers and State Structures

chapter 10|18 pages

Telecommunications: Overcoming Space

chapter 11|18 pages

Recorded Sounds and Sights

chapter 12|20 pages

Broadcasting Sounds and Sights

chapter 13|24 pages

Information-Processing Machines

chapter 14|16 pages

Knowledge Centers

chapter 15|16 pages

Oh, What Webs Those Phantoms Spin