ABSTRACT

Rock art in South America is as diverse as the continent itself. In this vast territory, different peoples produced engravings, paintings, and massive earthworks, from the Atacama to the Amazon. These marks on the landscape were made by all different kinds of peoples, from some of the earliest hunter-gatherers in the continent, to the very complex societies within the Inca Empire. This book brings together the work of specialists from throughout the continent, addressing this diversity, as well as the variety of approaches that the Archaeology of rock art has taken in South America.

Constructed of eleven thought-provoking chapters and arranged in three thematic sections, the book presents different theoretical approaches that are currently being used to understand the roles rock art played in prehistoric communities. The editors have skillfully crafted a book that presents the contribution the study of South American rock art can offer to the global research of this materiality, both theoretically and methodologically.

This book will interest a broad range of scholars researching in archaeology, anthropology, history of art, heritage and conservation, as well as undergraduate and postgraduate students who will find interesting case studies showcasing the diverse ways in which rock art can be approached. Despite its focus on South America, the book is intended as a contribution towards the global study of rock art.

part I|61 pages

Rock art, economy and technology

chapter 2|35 pages

The materiality of rock art

Image-making technology and economy viewed from Patagonia

chapter 3|24 pages

Rock art and technology

A spatio-temporal proposal from the upper basin of the Limarí River, north-central Chile

part II|94 pages

Rock art, landscape, memory and ideology

chapter 5|24 pages

Memory in the stone

Rock art landscape at Cerro Colorado as a negotiation space for social memory

chapter 6|20 pages

Signs in the desert

Geoglyphs as cultural system and ideology (northern Chile)

chapter 7|27 pages

Serra da Capivara (north-east Brazil) and the Limarí Basin (Chile)

A tale of two rock art landscapes

part III|61 pages

Rock art, style and agency

chapter 9|29 pages

Hunting scenes in Cueva de las Manos

Styles, content and chronology (Río Pinturas, Santa Cruz – Argentinian Patagonia)

part IV|53 pages

Rock art, assemblages and ontologies

chapter 10|23 pages

Rock art assemblages in north-central Chile

Materials and practices through history

chapter 11|28 pages

Ethnogeology of rock art?

Some considerations derived from Amazonianist ethnographies