ABSTRACT
Actually the shamanistic cure seems to be the exact counterpart to the psychoanalytic cure, but with an inversion of all the elements.3
But the relation of language to painting is an infinite relation. It is not that words are imperfect, or that, when confronted with the visible, they prove insuperably inadequate. Neither can be reduced to the other’s terms: it is in vain that we say what we see; what we see never resides in what we say.4
