Introduction

This introduction presents an overview of the key concepts discussed in the subsequent chapters of this book. The book aims to reframe existing approaches and open up possibilities to think differently about bodies on display. By focusing on showgirls and maintaining a broad definition, it describes burlesque and stripping scholarship as well as popular and academic commentary. The book presents four 'Modes of Viewing' showgirls, linking together the apparatus for viewing, theorisations, showgirls, cultural artefacts, and artworks. On the front of the cards were women posing in lively positions and on the reverse were short biographies–some were swimmers, tennis players, and actresses. The showgirl circulates in Western, consumer neoliberal image culture in a variety of ways. She adds glitz to films, pop videos, and television commercials. Depending on her styling, she adds a touch of vintage glamour or explicit titillation.