ABSTRACT

Bringing together an international group of scholars, this collection offers a fresh assessment of Kazuo Ishiguro’s evolving significance as a contemporary world author. The contributors take on a range of the aesthetic and philosophical themes that characterize Ishiguro’s work, including his exploration of the self, family, and community; his narrative constructions of time and space; and his assessments of the continuous and discontinuous forces of history, art, human psychology, and cultural formations. Significantly, the volume attends to Ishiguro’s own self-identification as an international writer who has at times expressed his uneasiness with being grouped together with British novelists of his generation. Taken together, these rich considerations of Ishiguro’s work attest to his stature as a writer who continues to fascinate cultural and textual critics from around the world.

chapter |9 pages

Introduction

Ishiguro and His Worlds in Literature

part |59 pages

Crossing National and Aesthetic Borders

chapter |16 pages

Reworking Myths

Stereotypes and Genre Conventions in Kazuo Ishiguro's Work

chapter |10 pages

‘You Never Know Who You're Addressing'

A Study of the Inscribed ‘You' in The Remains of the Day

chapter |10 pages

Ishiguro and Heidegger

The Worlds of Art

part |76 pages

Translations of Culture, Space, and Time

chapter |9 pages

The Unconsoled

Piano Virtuoso Lost in Vienna

chapter |10 pages

What Kathy Knew

Hidden Plot in Never Let Me Go

chapter |10 pages

‘How dare you claim these children are anything less than fully human?'

The Shared Precariousness of Life as a Foundation for Ethics in Never Let Me Go