ABSTRACT

Powerful and often controversial, news pictures promise to make the world at once immediate and knowable. Yet while many great writers and thinkers have evaluated photographs of atrocity and crisis, few have sought to set these images in a broader context by defining the rich and diverse history of news pictures in their many forms.

For the first time, this volume defines what counts as a news picture, how pictures are selected and distributed, where they are seen and how we critique and value them. Presenting the best new thinking on this fascinating topic, this book considers the news picture over time, from the dawn of the illustrated press in the nineteenth century, through photojournalism’s heyday and the rise of broadcast news and newsreels in the twentieth century and into today’s digital platforms. It examines the many kinds of images: sport, fashion, society, celebrity, war, catastrophe and exoticism; and many mediums, including photography, painting, wood engraving, film and video.

Packed with the best research and full colour-illustrations throughout, this book will appeal to students and readers interested in how news and history are key sources of our rich visual culture.

part One|92 pages

Big Pictures

chapter |3 pages

Introduction

chapter 1.9|4 pages

Sports Photomontage, France, 1926

chapter 1.12|4 pages

A Decisive Moment, France, 1932

chapter 1.14|4 pages

Soviet War Photo, Crimea, 1942

chapter 1.15|3 pages

Child in Warsaw Ghetto, 1943

chapter 1.16|4 pages

Flag-Raising, Iwo Jima, 1945

chapter 1.17|3 pages

New York in Color, 1953

chapter 1.19|3 pages

An Essay on Success in the USA, 1962

chapter 1.20|3 pages

Burning Monk, Saigon, 1963

chapter 1.21|3 pages

Kennedy Assassination, Dallas, 1963

chapter 1.25|3 pages

Police Beating, Los Angeles, 1992

part Two|177 pages

Re-Thinking the History of News Pictures

chapter |3 pages

Introduction