ABSTRACT

Distilling decades of work spanning their prestigious careers, Mary M. and Kenneth J. Gergen make a strong case for enriching the social sciences through performative work. They present a unique exploration of the origins of performative social science and provide an intellectually rich overview of its significance in the field, as well as its evolving potential. Many of their own performance pieces are included in the volume. The authors envision a broadening of the social sciences, making it more accessible to non-experts and opening up new dialogues between society and science—and changing the world in the process. Social scientists and researchers will gain a valuable new perspective from this insightful tome.

part II|59 pages

Literary Arts: Playing With Potentials

chapter 4|10 pages

Duographic Writing

chapter 5|18 pages

Collaging Voices

chapter 6|7 pages

Multiplying Metaphors

chapter 7|13 pages

The Dialogic Alternative

chapter 8|4 pages

Juxtaposing Genres

part III|47 pages

Dramatic Arts: Ideas in Action

chapter 10|16 pages

Performing the Mind

chapter 11|11 pages

Performing Theory

chapter 12|10 pages

Theatrical Power

chapter 13|4 pages

The Costume is the Message

part IV|26 pages

Visualizing Ideas: Believing Is Seeing

part V|27 pages

Extending Experiments: Flying Furniture

chapter 20|4 pages

Sculpting Ideas

chapter 21|3 pages

Cartooning and Critique

chapter 22|3 pages

To Song

chapter 23|2 pages

The Power of Multimedia

chapter 24|3 pages

Cybergraphics

chapter 25|3 pages

Fragmented Moments: Haiku

chapter 26|3 pages

Teaching through Fiction