ABSTRACT

Popular movies can be surprisingly smart about politics - from the portentous politics of state or war, to the grassroots, everyday politics of family, romance, business, church and school. Politics in Popular Movies analyses the politics in many well-known films across four popular genres: horror, war, thriller and science fiction. The book's aims are to appreciate specific movies and their shared forms, to understand their political engagements and to provoke some insightful conversations. The means are loosely related 'film takes' that venture ambitious, playful and engaging arguments on political styles encouraged by recent films. Politics in Popular Movies shows how conspiracy films expose oppressive systems; it explores how various thrillers prefigured American experiences of 9/11 and shaped aspects of the War on Terror; how some horror films embrace new media, while others use ultra-violence to spur political action; it argues that a popular genre is emerging to examine non-linear politics of globalisation, terrorism and more. Finally it analyses the ways in which sci-fi movies reflect populist politics from the Occupy and Tea Party movements, rethink the political foundations of current societies and even remake our cultural images of the future.

chapter |16 pages

Film Takes

Rhetorical Appreciations of Popular Politics (Featuring 2001, Blade Runner, 1984, Brazil, and The Matrix)

part |38 pages

Popular Genres

chapter |6 pages

Politics in Conventions

Conspiracy as a Cinematic Trope for System (Featuring Bob Roberts, From Hell, and Three Kings)

chapter |7 pages

Politics in Subtexts

Horror Movies as Facing Political Evils in Everyday Life (Featuring Phone Booth, The Ring, and The Mothman Prophecies)

chapter |24 pages

Politics in Innovations

Fractal Films as New Rhetorics for Nonlinear Politics (Featuring Babel, Crash, and Cloud Atlas)

part |50 pages

Political Experiences

chapter |13 pages

Emotion and Empathy

From Sins and Pains to Bodies and Deeds in Horror Movies (Featuring The Passion of the Christ and Se7en)

chapter |13 pages

Character and Community

From Contracts to Contacts in Science-Fiction Films (Featuring Contact and Close Encounters of the Third Kind)

chapter |23 pages

Atmosphere and Argument

From Vicarious to Virtual Experience in War Movies (Featuring Apocalypse Now, Platoon, Saving Private Ryan, and The Thin Red Line)

part |84 pages

Cinematic Terrors

chapter |32 pages

Movies Prefigure Politics

How Thrillers Anticipated Terrorist Attacks on America (Featuring The Siege, The Peacemaker, and Patriot Games)

chapter |12 pages

Movies Disfigure Politics

How Vampire Hunters Pursued the War on Terror (Featuring Blade and Bram Stoker's Dracula)

chapter |23 pages

Movies Configure Politics

How Horror, Dystopia, Thriller, and Noir Shape Terrorism (Featuring Fight Club, Spy Game, and Swordfish)

chapter |16 pages

Conclusion

Political Styles in Popular Movies (Featuring Elysium, In Time, Upside Down, and The Hunger Games)