ABSTRACT

This book is a small anthology: each chapter a kind of meditation-on poetry and psychoanalysis; on a poem, sometimes two; on poetry in general; on thought itself. The poems are beautiful, some are contemporary, some are classical and well worth a reader's attention. "The motive for metaphor" is the title of a short poem of Wallace Stevens in which he says he is "happy" with the subtleties of experience. He likes what he calls the "half colours of quarter things," as opposed to the certainties, the hard primary "reds" and "blues." To grasp and make sense of what is elusive (and beautiful), that is, for the essential and puzzling condition of poetry, we are obliged to make metaphors. The same is perhaps true of psychoanalysis-this is the essential argument of the book. The chapters were originally poetry columns that the author wrote for Psychologist-Psychoanalyst and Division/Review (both journals of the Division of Psychoanalysis of the American Psychological Association).

chapter

Introduction

chapter II|4 pages

Speaking of pain: Yehuda Amichai

chapter VI|6 pages

An awakening: a poem by Elizabeth Bishop

chapter XII|5 pages

Postmodern metaphor: a poem by Robert Hass

chapter XIV|5 pages

Poetry as argument: a poem by Tony Hoagland

chapter XV|4 pages

Marie Howe on “What the living do”

chapter XXI|4 pages

Mysterious tears: a poem by Rose McLarney

chapter XXIII|5 pages

Narrative as metaphor: Sharon Olds

chapter XXVIII|4 pages

Metaphors for mind: the poet Gerald Stern