ABSTRACT
Hamid Dabashi’s 2007 Iran: A People Interrupted is simultaneously subtle, passionate, polarizing and polemical. A concise account of Iranian history from the early 19th-century onward, Dabashi’s book uses his incisive analytical skills as a basis for creating a persuasive argument against the views of Iran that predominate in the West.
In Dabashi’s view, Western approaches to Iran have been colored time and time again by the assumption that it is somehow trapped between regressive ‘tradition,’ and progressive ‘modernity.’ The reality, he argues, is quite the opposite: Iran has its own distinctive ideology of modernity, which is nevertheless opposed to many Western ideals. In order to prove his point, Dabashi draws on a lifetime’s experience of literary criticism to analyse the relationship between Iran’s intellectual and political elites over two centuries.
His analysis provides the key evidence for his reasoning by teasing out the implicit assumptions that underly the texts and people he examines. Looking beneath the surface of the evidence, Dabashi finds – time and time again – the traces of a uniquely Iranian notion of modernity that is quite at odds with its Western counterpart.
TABLE OF CONTENTS
section 1|19 pages
Influences
module 1|5 pages
The Author and the Historical Context
module 2|4 pages
Academic Context
module 3|5 pages
The Problem
module 4|4 pages
The Author’s Contribution
section 2|19 pages
Ideas
module 5|6 pages
Main Ideas
module 6|4 pages
Secondary Ideas
module 7|4 pages
Achievement
module 8|4 pages
Place in the Author’s Work
section 3|19 pages
Impact
module 9|5 pages
The First Responses
module 10|4 pages
The Evolving Debate
module 11|4 pages
Impact and Influence Today
module 12|5 pages
Where Next?