ABSTRACT
The Work of Art in the Age of Mechanical Reproduction combats traditional art criticism’s treatment of artworks as fixed, unchanging mystical objects. For Walter Benjamin, the consequences of addressing a work of art in this manner have a wider resonance: closed off from any active visual or tactile engagement, the work of art becomes an object of passive contemplation and a potential tool of oppression.
Benjamin argues that technology has fundamentally altered the way art is experienced. Potentially open to interpretation and accessible to many, art in the age of mechanical reproduction has the potential to be mobilized for radical purposes. While ostensibly addressing the artistic consequences of technical reproducibility on art, Benjamin also addresses the wider political consequences of this shift.
TABLE OF CONTENTS
section 1|19 pages
Influences
module 1|5 pages
The Author and the Historical Context
module 2|5 pages
Academic Context
module 3|4 pages
The Problem
module 4|4 pages
The Author’s Contribution
section 2|21 pages
Ideas
module 5|5 pages
Main Ideas
module 6|5 pages
Secondary Ideas
module 7|5 pages
Achievement
module 8|5 pages
Place in the Author’s Work
section 3|23 pages
Impact
module 9|5 pages
The First Responses
module 10|6 pages
The Evolving Debate
module 11|5 pages
Impact and Influence Today
module 12|6 pages
Where Next?