ABSTRACT

Susan Sontag’s 1997 text, On Photography, brought photographic theory into the university classroom with its staunch defence of the medium as art and inspired a new wave of Marxist Criticism in the field.  Sontag explains the way in which we are addicted to images and depend on them for knowledge of our surroundings and the problems and challenges this causes. Already an established academic figure, Sontag brought Walter Benjamin’s theories in into the academic mainstream.  The book retains its relevance in the everyday world because of the applicability of its ideas to the world of digital photography.

chapter 101|5 pages

Ways in to the Text

part 1|20 pages

Influences

chapter 1|5 pages

The Author and the Historical Context

chapter 2|5 pages

Academic Context

chapter 3|5 pages

The Problem

chapter 4|4 pages

The Author’s Contribution

part 2|18 pages

Ideas

chapter 5|5 pages

Main Ideas

chapter 6|4 pages

Secondary Ideas

chapter 7|4 pages

Achievement

chapter 8|4 pages

Place in the Author’s Work

part 3|19 pages

Impact

chapter 9|4 pages

The First Responses

chapter 10|5 pages

The Evolving Debate

chapter 11|4 pages

Impact and Influence Today

chapter 12|5 pages

Where Next?