ABSTRACT

Erwin Panofsky’s Meaning in the Visual Arts is considered a key work in art history. Its ideas have provoked widespread debate, and although it was first published more than sixty years ago, it continues to feature regularly on numerous university reading lists.

Meaning in the Visual Arts comprises nine essays. In these, Panofsky argues for the independence of iconology as a branch of history. He moves on to demonstrate the anatomy of art and its study, as well as the controlling principles of interpretation. He then deals with the theories of human proportions, Gothic architecture, and the Northern Renaissance. Finally, Panofsky discusses his own American experiences.

chapter |6 pages

Ways in to the Text

part 1|21 pages

Influences

chapter 1|4 pages

The Author and the Historical Context

chapter 2|5 pages

Academic Context

chapter 3|5 pages

The Problem

chapter 4|5 pages

The Author’s Contribution

part 2|22 pages

Ideas

chapter 5|5 pages

Main Ideas

chapter 6|6 pages

Secondary Ideas

chapter 7|5 pages

Achievement

chapter 8|5 pages

Place in the Author’s Work

part 3|24 pages

Impact

chapter 9|5 pages

The First Responses

chapter 10|7 pages

The Evolving Debate

chapter 11|6 pages

Impact and Influence Today

chapter 12|5 pages

Where Next?