ABSTRACT

This book is the fullest and most detailed study yet published in English of Ernst Toller's plays and their most significant productions. In particular the productions directed by Karl-Heinz Martin, Jurgen Fehling and Erwin Piscator are closely analyzed and the author demonstrates how, brilliant though they were, they obscured or even distorted Toller's intentions. The plays are seen as eminently stage-worthy while worth lies in Toller's use of language, both in prose and inverse. The neglected puppet-play The Scorned Lovers' Revenge is analyzed from a new perspective in the light, both of its language and its sexual theme, so important in Toller's writings as a whole. The reader is led to appreciate why Toller was regarded as the most outstanding German dramatist of his generation until, after his death in 1939 his reputation was overlaid by that of Brecht. This book should do much to restore Toller to his proper place in theatre history.

part I|10 pages

Introduction

chapter 1|9 pages

Introduction

part II|200 pages

The Plays Die Wandlung to Die Maschinenstürmer

part III|53 pages

Toller's Use of Language

chapter 6|52 pages

Toller's Use of Language

part IV|179 pages

The Plays Hinkemann to Pastor Hall

chapter 7|32 pages

Hinkemann

chapter 8|14 pages

Der Entfesselte Wotan (Wotan Unbound)

chapter 9|44 pages

Hoppla, Wir Leben! (Whoops! We're Alive)

chapter 10|28 pages

Feuer aus den Kesseln (Draw the Fires)

chapter 11|25 pages

Die Blinde Göttin (The Blind Goddess)

chapter 12|15 pages

Nie Wieder Friede (No More Peace)

chapter 13|20 pages

Pastor Hall

part V|7 pages

Conclusion

chapter 14|6 pages

Conclusion