ABSTRACT

First Published in 1998. This lively volume explores comedy as a place where gender and sexuality, through performance, challenge sexist and heteronormative forces in Western culture. The contributors investigate the effects of gender, sexuality, sexual identity, race, class and nationality on humor and comedic performance. Each chapter, distinct in its voice and content, addresses how particular historical periods seem to affect who laughs at what, why, and with what consequences. This book not only spans a broad range of historical and literary periods, it also engages in a critical conversation with past and present thinkers to articulate the political, cultural and social effects of comedy.

part 1|77 pages

Earlier Literatures

chapter 1|17 pages

The Male–Female Comedy Team

chapter 2|14 pages

Shakespeare's Rosalind

Charactor of Contingency

chapter 3|12 pages

“One Said a Jealous Wife Was Like”

The Constructions of Wives and Husbands in Seventeenth-Century English Jests

chapter 4|12 pages

The Veiled Laugh

Women, the Body, and the Comic in Nineteenth-Century France

chapter 5|19 pages

Nothing Succeeds Like Excess

Lillian Shaw's Comedy and Sexuality on the Keith Vaudeville Circuit

part 3|101 pages

New Forms

chapter 9|18 pages

Read Our Lips

A Re(media)l Short Course on Liberating Lesbianism

chapter 10|18 pages

Parody and Postmodern Sex

Humor in Thomas Pynchon and Tama Janowitz

chapter 11|11 pages

The War on the Home Front

Comedy and Political Identity in the Work of Stewart Home

chapter 13|20 pages

Sneaky Re-Views

Can Robert Townsend's Taste for Stereotypes Contribute Positively to Identity Politics?

part 4|36 pages

Performing Canadians

chapter 15|14 pages

The “Attack Behind the Invitation”

Gender Parody in Karen Hines's Pochsy's Lips

chapter 16|18 pages

“Raised by Poodles”

An Interview with Sensible Footwear

chapter |2 pages

Afterword