ABSTRACT
STRANG’s influential essay is a ground-clearing exercise in the vital area of language. Seeking to break the logjam of often unsupported arguments over Clare’s alleged “provincialisms”, literary borrowings, etc., Strang argues for recognition that Clare’s linguistic register is both eclectic and unique. Her statistical and “cluster”-based analysis of the language of The Rural Muse and The Midsummer Cushion reveals many facets to this uniqueness, including “archaic” qualities, and a tendency for the poet to use clusters of linked words. DEACON’s book, also seminal, considers Clare’s extensive work in recording folk-songs, tunes, and customary activities, and is an essential reference book in these areas. Its critical significance lies in its mapping of the sheer range of folk influences on Clare.
