ABSTRACT
I'd like to ask Dr Bion if he can tell us more about his ideas on the countertransference, because it seems to me that this is the particular type of noise in the analyst's mind that can be picked up in the psychoanalytic experience. I wonder if it might also contain musical elements, and if so if we should adjust our minds like a high-fidelity system that can not only extract the signal from the noise, but also act like a resonance chamber and allow us to receive the entire range of acoustic stimuli, even if that means that the clarity of the melody is lost.
