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The Collector's Voice
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The Collector's Voice book
The Collector's Voice
DOI link for The Collector's Voice
The Collector's Voice book
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ABSTRACT
The Collector’s Voice is a major four-volume project which brings together in accessible form material relevant to the history and practice of collecting in the European tradition from c. 1500 BC to the present day. The series demonstrates how attitudes to objects, the collecting of objects, and the shape of the museum institution have developed over the past 3000 years. Material presented includes translations of a wide range of original documents: letters, official reports, verse, fiction, travellers' accounts, catalogues and labels. Volume 1: Ancient Voices, edited by Susan Pearce and Alexandra Bounia Volume 2: Early Voices, edited by Susan Pearce and Kenneth Arnold Volume 3: Imperial Voices, edited by Susan Pearce and Rosemary Flanders Volume 4: Contemporary Voices, edited by Susan Pearce and Paul Martin
TABLE OF CONTENTS
part I|2 pages
Curious voices
chapter 1|3 pages
Giulio Camillo's magical proto-museum
chapter 2|6 pages
Samuel á Quiccheberg's 'classes': the first modern museological text
chapter 3|5 pages
Gabriel Kaltermackt's advice to princes
chapter 4|4 pages
Francis Bacon advises how to set up a museum
chapter 6|3 pages
Ulisse Aldrovandi collects insects
chapter 7|4 pages
Henry Peacham's advice to gentleman collectors
chapter 8|5 pages
The Earl of Arundel views the King of Bohemia's collection
chapter 10|4 pages
The collection of King Charles I of England
chapter 11|4 pages
John Dury advocates school museums
chapter 13|4 pages
John Bargrave gives an account of his museum collection
part II|2 pages
Scientific voices
chapter 14|4 pages
John Wilkins experiments with a philosophical museum language
chapter 15|5 pages
John Winthrop reports upon some American curiosities
chapter 16|5 pages
Robert Plot surveys the natural history of Oxfordshire
chapter 17|5 pages
James Petiver describes how to preserve natural specimens
chapter 18|5 pages
A show elephant becomes an anatomy exhibit
chapter 21|6 pages
Elias Ashmole organises the Ashmolean Museum, Oxford
chapter 22|4 pages
Hans Sloane describes a 'China Cabinet'
chapter 23|4 pages
Zacharias Conrad von Uffenback describes Hans Sloane's collection
chapter 24|4 pages
John Woodward sets out a classification for fossils
part III|2 pages
Enlightened voices
chapter 25|5 pages
Michael Valentini lists contemporary collections
chapter 26|3 pages
The collections of Carl Linnaeus and their arrival in Britain
chapter 27|10 pages
Sir Joseph Banks and Dr Daniel Solander collect in the South Seas
chapter 28|8 pages
The Duchess of Portland collects shells and antiquities
chapter 29|4 pages
Captain Chapman sends Whitby fossils to the Royal Society collection
chapter 30|6 pages
The Resta collection of drawings is sold
chapter 31|10 pages
Thomas Martyn collects collectors
chapter 32|4 pages
Alexander Pope mocks collectors and their habits
chapter 34|3 pages
Overseas and native visitors view the British Museum
chapter 35|4 pages
Collecting as revolution
chapter 36|4 pages
Miss Benett collects fossils in Wiltshire
chapter 37|6 pages
Mary Anning: collectrice extraordinaire
part IV|2 pages
Antique voices
chapter 39|7 pages
Charles Townley and his marbles
chapter 40|4 pages
Henry Blundell forms his collection of marbles
chapter 41|3 pages
Sir Richard Worsley collects on a Grand Tour
chapter 43|5 pages
Sir William Hamilton, a many-side connoisseur
chapter 44|5 pages
Plaster shops in Britain, 1760-1820
chapter 45|5 pages
Correspondence between Charles Tatham and Henry Holland
chapter 46|3 pages
The Edinburgh Trustees buy classical plaster casts for their academy
chapter 48|8 pages
Charles Robert Cockerell travels to the temple of Bassae in Arcadia
chapter 49|10 pages
Lord Elgin acquires the Parthenon Marbles
part V|2 pages
Strange voices