ABSTRACT

This book studies the transnational nature of American cultural production, specifically literature, film, and music, examining how these serve as ways of perceiving the United States and American culture. The volume’s engagement with the reality of transnationalism focuses on material examples that allow for an exploration of concrete manifestations of this phenomenon and trace its development within and outside the United States.

Contributors consider the ways in which artifacts or manifestations of American culture have traveled and what has happened to the texts in the process, inviting readers to examine the nature of the transnational turn by highlighting the cultural products that represent and produce it. Emphasis on literature, film, and music allows for nuanced perspectives on the way a global phenomenon is enacted in American texts within the U.S, also illustrating the commodification of American culture as these texts travel.

The volume therefore serves as a coherent examination of the critical and creative repercussions of transnationalism, and, by juxtaposing a discussion of creativity with critical paradigms, unveils how transnationalism has become one of the constitutive modes of cultural production in the 21st century.

chapter |13 pages

Introduction

Perspectives on Transnational American Cultures

part |40 pages

Broadening the Frame

chapter |13 pages

Remembering What to Forget

Memory as Transnational Practice in Jamaica Kincaid's Lucy

chapter |14 pages

Transnational and Transcultural Exchanges in Azar Nafisi's

Reading Lolita in Tehran: A Memoir in Books

part |47 pages

The Cross-Fertilization of Culture

chapter |15 pages

“I used to like Gangsters and Newspaper Films, but I'm not so Sure Now”

The Hollywood Dreams of Jessie Matthews and the British Film Industry

chapter |14 pages

Johnny Cash and Bob Dylan Revisited

Musical “Authenticity” and Transnational Adaptations of Country and Folk Music

part |51 pages

Exploring Transnational Dimensions of Canonical Writing

chapter |18 pages

“I Just Want to Go Home”

Bret Easton Ellis's Glamorama and Disturbed American Transnationalism

chapter |14 pages

“Vagabond Internationalism”

The Transnational Life and Literature of Claude Mckay

chapter |17 pages

Multiculturalism with Transnationalism

Food Scenes as Contact Zones

part |49 pages

Narratives of Travel and Migration

chapter |19 pages

Spheres of Influence in Jean Kwok's Girl in Translation

The Classroom, the Blog, and the Ethnic Story

chapter |15 pages

Hospitality across the Atlantic

American Guests and the International Space of Flows in Spielberg's the Terminal and Frears's Dirty Pretty Things