ABSTRACT

Radio’s New Wave explores the evolution of audio media and sound scholarship in the digital age. Extending and updating the focus of their widely acclaimed 2001 book The Radio Reader, Hilmes and Loviglio gather together innovative work by both established and rising scholars to explore the ways that radio has transformed in the digital environment. Contributors explore what sound looks like on screens, how digital listening moves us, new forms of sonic expression, radio’s convergence with mobile media, and the creative activities of old and new audiences. Even radio’s history has been altered by research made possible by digital and global convergence. Together, these twelve concise chapters chart the dissolution of radio’s boundaries and its expansion to include a wide-ranging universe of sound, visuals, tactile interfaces, and cultural roles, as radio rides the digital wave into its second century.

chapter |6 pages

Introduction

Making Radio Strange

part Section I|70 pages

The Digital Soundscape

chapter 3|19 pages

The New Materiality of Radio

Sound on Screens 1

chapter 4|15 pages

The Past and Future of Music Listening

Between Freeform DJs and Recommendation Algorithms

part Section II|68 pages

Radio's New Sounds

chapter 5|12 pages

Youth, New Media, and Radio

Mobile Phone and Local Radio Convergence in Turkey

chapter 7|20 pages

Voices Made for Print

Crip Voices on the Radio 1

chapter 8|19 pages

“Your Ears are a Portal to Another World”

The New Radio Documentary Imagination and the Digital Domain

part Section III|64 pages

Radio's New Histories

chapter 9|16 pages

El Octopus Acústico

Broadcasting and Empire in the Caribbean

chapter 10|17 pages

Portia Faces the World

Re-Writing and Re-Voicing American Radio for an International Market 1

chapter 11|14 pages

Sounds from the Life of the Future

Making Sense of U.S. Radio Broadcasting in France 1921–1939 1

chapter 12|15 pages

Tick Tock Goes the Musical Clock

Time Discipline and Early Morning Radio Programs