ABSTRACT

Originally published in 1983 the first edition rapidly established itself as a core student text. Now fully revised and up-dated it remains the only book to address the rationale, process, techniques and methodologies specific to the study of dance history. For the main body of the text which covers historical studies of dance in its traditional and performance contexts, the editors have brought together a team of internationally known dance historians. Roger Copeland and Deborah Jowitt each take a controversial look at the modern American dance. Kenneth Archer and Millicent Hodson explain the processes they use when reconstructing 'lost' ballets, and Theresa Buckland and Georgina Gore write on traditional dance in England and West Africa respectively. With other contributions on social dance, ballet, early European modern dance and feminist perspectives on dance history this book offers a multitude of starting points for studying dance history as well as presenting examples of dance writing at its very best. Dance History will be an essential purchase for all students of dance.

part |2 pages

Part I A rationale and methodology for dance history

chapter 2|14 pages

Dance history source materials

chapter 3|11 pages

The dance history literature

A reader’s guide

part |2 pages

Part II Historical studies of dance in its traditional, social and the- atrical contexts

chapter 4|14 pages

Traditional dance

English ceremonial and social forms

chapter 5|22 pages

Traditional dance in West Africa

chapter 7|19 pages

Ballets lost and found

Restoring the twentieth-century repertoire

chapter 8|15 pages

Enrico Cecchetti

The influence of tradition

chapter 10|18 pages

European early modern dance

chapter 12|16 pages

Beyond expressionism

Merce Cunningham’s critique of ‘the natural’

chapter 13|19 pages

Re-tracing our steps

The possibilities for feminist dance histories

part |2 pages

Part III Studying and writing dance history

chapter 15|21 pages

Writing dance history