ABSTRACT
This play1 has no other aim than to bind together the world of the living and the dead. The life and death of each human being is as incomprehensible as the world itself: starting from this supposition, the author is not concerned with the notion that by the end of the play the audience should understand the happenings on stage. Though elsewhere certitude reigns, the special attitude of the human spirit towards questions of being may here stir up opposition. The end of art is not to induce agreement, but to shake foundations.
