chapter  9
Pages 11

This collaboration between two photographers (using themselves both as photographer and as photographic object) stems from our joint interests in photography and in politics. We’ve attempted to engage with some of the current theories of visual representation, while at the same time offering a critique of standard histories of photography which still mostly exclude details of institutional, state, class or economic determinants, being grounded instead in ‘great inventions’, ‘great names’, ‘great companies’.