ABSTRACT

This interdisciplinary and creative study examines how African American culture is presented in American films and other media, and is a provocative re-reading of the historiography of black culture. The author examines and interprets a number of cultural texts deriving memory as interpreted by Freud and by Franz Fanon, mixed with Black Liberation Theology and Islamic mysticism.

chapter |6 pages

Troubled Beginnings

chapter |30 pages

Translations

part |2 pages

Detranslations

chapter 1|24 pages

Liberating Theologies: Ibn Al-cArabi’s Bezels and James Cone’s Christ

Ibn Al-Arabi’s Bezels and James Cone’s Christ

chapter 2|22 pages

Flesh and Facts

Toward a Critical Psychoanalysis

part |2 pages

Retranslations

chapter 3|48 pages

Freeing Films: Reading Sankofa, Malcolm X,

Reading Sankofa, Malcolm X, and Panther

chapter 4|30 pages

The Power to Trans(per)form

part |2 pages

Translations