ABSTRACT

This volume marks the 25th anniversary of Karin Barber’s ground-breaking article, "Popular Arts in Africa", which stimulated new debates about African popular culture and its defining categories. Focusing on performances, audiences, social contexts and texts, contributors ask how African popular cultures contribute to the formation of an episteme. With chapters on theater, Nollywood films, blogging, and music and sports discourses, as well as on popular art forms, urban and youth cultures, and gender and sexuality, the book highlights the dynamism and complexity of contemporary popular cultures in sub-Saharan Africa.

Focusing on the streets of Africa, especially city streets where different cultures and cultural personalities meet, the book asks how the category of "the people" is identified and interpreted by African culture-producers, politicians, religious leaders, and by "the people" themselves. The book offers a nuanced, strongly historicized perspective in which African popular cultures are regarded as vehicles through which we can document ordinary people’s vitality and responsiveness to political and social transformations.

chapter 1|23 pages

Introduction

Popular Culture in Africa: The Episteme of the Everyday

part I|42 pages

Theoretical Overviews

chapter 2|20 pages

On Creativity in African Urban Life

African Cities as Sites of Creativity and Emancipation 1

chapter 3|20 pages

"Our Tradition Is a Very Modern Tradition"

From Cultural Tradition to Popular Culture in Southwestern Nigeria

part II|105 pages

Gender and Sexuality in African Popular Cultures

chapter 4|24 pages

Sex and Relationship Education of the Streets

Advice on Love, Sex, and Relationships in Popular Swahili Newspaper Columns and Pamphlets in Tanzania 1

chapter 5|18 pages

The Other Woman's Man Is so Delicious

Performing Sudanese "Girls' Songs"

chapter 6|20 pages

Bingo

Francophone African Women and the Rise of the Glossy Magazine

chapter 7|23 pages

"Better Ghana [Agenda]"?

Akosua's Political Cartoons and Critical Public Debates in Contemporary Ghana

chapter 8|18 pages

Desired State

Black Economic Empowerment and the South African Popular Romance

part III|45 pages

The Place of Humor

chapter 10|23 pages

Literary Insurgence in the Kenyan Urban Space

Mchongoano and the Popular Art Scene in Nairobi

part IV|73 pages

Popular Discourses of the Streets

chapter 11|23 pages

Music for Troubled Times

Caiphus Semenya's "Nomalanga" and Zuluboy's "Nomalanga Mntakwethu"

chapter 13|9 pages

Heshimu Ukuta

Local-Language Radio and the Performance of Fan Culture in Kenya

part V|17 pages

Coda

chapter V 15|15 pages

Lazymen's Clinic

A Musing on Everyday Life and Research