ABSTRACT

This beautifully illustrated volume features work by leading writers and experts on carnival from around the world, and includes two stunning photo essays by acclaimed photographers Pablo Delano and Jeffrey Chock. Editor Milla Cozart Riggio presents a body of work that takes the reader on a fascinating journey exploring the various aspects of carnival - its traditions, its history, its music, its politics - and prefaces each section with an illuminating essay.

Traditional carnival theory, based mainly on the work of Mikhail Bakhtin and Victor Turner, has long defined carnival as inversive or subversive. The essays in this groundbreaking anthology collectively reverse that trend, offering a re-definition of 'carnival' that focuses not on the hierarchy it temporarily displaces or negates, but a one that is rooted in the actual festival event.

Carnival details its new theory in terms of a carnival that is at once representative and distinctive: The Carnival of Trinidad - the most copied yet least studied major carnival in the world.

part I|54 pages

Emancipation, Ethnicity, And Identity In Trinidad And Tobago Carnival – From The Nineteenth Century To The Present

chapter 1|9 pages

The Carnival Story – Then And Now 1

Introduction to Part I

chapter 2|5 pages

Cannes BrÛLÉEs

chapter 4|12 pages

The Martinican

Dress and politics in nineteenth-century Trinidad Carnival

part II|90 pages

Playin' Yuhself – Masking The Other

chapter 7|16 pages

“Play Mas” – Play Me, Play We

Introduction to Part II

chapter 8|20 pages

Peter Minshall

A voice to add to the song of the universe

chapter 9|17 pages

Amerindian Masking In Trinidad'S Carnival

The House of Black Elk 1 in San Fernando

chapter 10|11 pages

The Blue Devils Of Paramin

Tradition and improvisation in a village carnival band

chapter 11|5 pages

Paramin Blue Devils

chapter 12|5 pages

The Jouvay Popular Theatre Process

From the street to the stage

chapter 13|14 pages

Carnival People

part III|58 pages

Pan And Calypso – Carnival Beats

chapter 14|4 pages

We Jamming IT

Introduction to Part III

chapter 16|9 pages

Voices Of Steel

A historical perspective

chapter 17|9 pages

Notes On Pan

part IV|44 pages

Carnival Diaspora

chapter 20|4 pages

The Festival Heard Round The World

Introduction to Part IV

chapter 21|10 pages

Globalization In Reverse

Diaspora and the export of Trinidad Carnival

chapter 22|15 pages

Carnival In Leeds And London

Making new black British subjectivities